Conversational is better than robotic.

Noah Baumbach knew he wanted the score to "Jay Kelly" to be a character in his latest movie. He wanted a fullness of emotion, ...

Deadline’s Read the Screenplay series highlighting the movie awards season’s most intriguing scripts continues with Mascha ...

Artificial Intelligence is opening up new opportunities and it's the best time make money with AI. Find the 8 best ways to ...

The veteran re-recording mixer, sound designer, and supervising sound editor tells IndieWire about getting Agnes's world to sound trippingly on the tongue.

Bully Ray has lavished praise on a WWE star and believes that WWE may have given him the freedom to speak off the cuff, without a script.

Audiio introduces Voices, a Voice-to-Voice creation tool offering 24+ voice styles built from real voiceover talent.

Exclusive: In this new look at the making of the film, composer Daniel Blumberg notes that he and choreographer Celia Rowlson ...

The filmmaker crafted her meditation on grief through radical methods, which included reconstructing the Globe Theatre from ...

Direct-address, an old playwriting technique, has been retooled by a new crop of playwrights (Bess Wohl, Jordan Tannahill, ...

impact could make for something relevant, revealing, and riveting. As with “The Hurt Locker” and “Zero Dark Thirty,” Bigelow’s instinct was to put audiences in the room with the people facing ...

How did Sarah Schachner make the Yautja sing? Read our 'Predator: Badlands' interview on the film’s killer score and cultural world-building.